Note that the hand naturally draws smoother, more accurate curves in a concave arc pivoted by the arm and wrist. Further characters can then be designed on-screen by matching key features, such as terminal endings and stroke widths. Try to create graceful shapes on paper for the first few characters, and then refine them digitally. Articulating certain shapes via a computer from the outset can be awkward and time-consuming. Try designing fonts by handĮven if you're a Bézier curve master, it's a good idea to define your letterforms by hand in the first instance. This should go without saying, but typefaces like these get submitted (usually unsuccessfully) to foundries fairly regularly. 'Helvetica with wings' won't produce a better typeface or help you develop your skills as a type designer. Avoid basing your design on the outline of an existing typeface. This can be a useful practice exercise because handwriting is so individual. One good way to get started with font design is by digitising your own handwriting. For more advice on this, see our 4 steps to using variable fonts. As the name suggests, variable fonts allow type designers to personalise their letters, essentially enabling one font to act like multiple fonts. Meanwhile, if you're a more advanced type designer, you might want to explore the world of variable fonts. Will it be based on a writing implement or will it be more geometric? Will your design be a text face, comfortable at small sizes and suitable for long documents or will it be a display face with an imaginative style that works better commanding attention at a larger size?ĭesigning a sans-serif typeface is often more challenging for beginners because the features that distinguish such typefaces are much more subtle. Will your font design be a serif or sans-serif typeface? for example. Make your fundamental font design choicesįont design involves a number of important choices that you need to make early on. Only when you know what your typeface will actually be used for can you really get started on the design. There are typefaces that were created specifically for coding, for academic texts, to provide better number systems for engineering documents or as bespoke one-offs for public lettering. Check this video tutorial to see how easy it is.The options for font design are vast. And of course there’s nothing wrong with using multiple fonts, but sometimes simplicity is the perfect choice.ĭon’t forget: Webflow makes it easy to add Google Fonts, Adobe Fonts, and even fonts you’ve designed to our library. You don’t have to jam your designs with a mishmash of fonts - a few style changes make it possible to use the same font throughout. Okalpha used a smaller size and lighter weight of Neue Haas Grotesk for their body copy, giving the design some contrast. You can get fancy on your title page, but oversized, busy fonts can be fatiguing to read. If you want your design to pack the punch of large type, use something straightforward like sans serif fonts free from too much ornamentation. This design for okalpha uses Neue Haas Grotesk on their landing page - a strong font with just enough stylization to keep it interesting. Whether it's a hero title taking up an entire screen or a call to action of gigantic proportions, it’s important to use typography that looks good at larger sizes.
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